ARE YOU ENJOYING THE SHOW? 2025, sequin coat and acrylic, 24”x60”
I find myself asking this question a lot. I ask a lot of things. Sometimes they manifest in ways like this. Sometimes a person, a garment, and a phrase are so aligned it carries a magic beyond words, beyond me.
For: Lesley Goldwasser, owner of the Betsy Hotel, Miami Beach, FL
Date Made: 2025
Location: Miami Beach, FL
EXCEPT SOME ARE MORE EQUAL THAN, 2026 found cow hide and silkscreen ink, 72”x95”
Printed on reclaimed animal hide, this work uses a quotation from George Orwell’s Animal Farm to examine power and hierarchy. The hide functions as both evidence and metaphor, collapsing distinctions between consumption and conscience. The hide arrives already burdened with meaning: luxury and violence, desire and death, attraction and discomfort. Rather than concealing those contradictions, I use them as part of the work's language. By placing political language onto a body transformed into commodity, the work invites viewers to consider the uneasy relationship between desire, violence, and control.
For: Private Collector, Miami
Date Made: 2026
Location: Miami, FL
What Is Behind A Smile? Ghislaine and I, 2025, Silkscreen on canvas, 27” x 36”
What Is Behind a Smile? pairs my smile with those of polarizing public women, including Ghislaine Maxwell, Hillary Clinton, and Marie Antoinette, to examine how trust, judgment, and social perception are formed through images. The series began when I aligned my smile with Maxwell's, creating an uncanny resemblance that exposed the tension between what we show and what we hide.
For: Private Collector, Rhode Island
Size: 27”x36”
Date Made: 2025
Location: Miami, FL
Beige Ambition, found photograph, thread and yarn.
I made a special photo / artwork for NY Mag! Beige Ambition, written by Matthew Schneier
For: New York Magazine
Date Made: 2021
Location: New York, NY
The Camera As An Object of Power, 120mm photographic film
“Even though mainstream media has been usually focusing on the violence, the fire and the looting, Kopenhaver’s approach differs radically. Instead, she focuses on the calm moments pre and post protest, on the people attending them, and through her work, she raises questions about what happens before and after the images we’re used to seeing on TV and big newspapers. By engaging in conversations with attendants, she gives photographs more layers of depth and understanding, of empathy – something more photographers should strive for. In today’s interview, we speak with Katelyn about attending demonstrations as a photographer, the magic of photography, and how she’s living these crucial times in history”
Born and raised in Hell's Kitchen, 30 year old fighter Michael Hughes has an exceptional relationship with violence and combat. Growing up in New York City’s harsh concrete jungle is where Hughes discovered his talent, gift, and maybe sometimes, a curse. He's had setbacks and victories, self discoveries and brutal fights - not just in the ring. Every move he has taken, has brought him here, to Church Street Boxing Gym.
Michael Hughes, professional boxer, 35mm and 120mm photographic film
Location: New York, NY
For: Self Assigned
Date Made: 2019